Who changed the truth of God into a lie, and worshipped and served the creature more than the Creator, who is blessed for ever. Amen.
For this cause God gave them up unto vile affections: for even their women did change the natural use into that which is against nature:
And likewise also the men, leaving the natural use of the woman, burned in their lust one toward another; men with men working that which is unseemly, and receiving in themselves that recompence of their error which was meet.
And even as they did not like to retain God in their knowledge, God gave them over to a reprobate mind, to do those things which are not convenient;
Being filled with all unrighteousness, fornication, wickedness, covetousness, maliciousness; full of envy, murder, debate, deceit, malignity; whisperers,
Backbiters, haters of God, despiteful, proud, boasters, inventors of evil things, disobedient to parents,
Without understanding, covenantbreakers, without natural affection, implacable, unmerciful:
Who knowing the judgment of God, that they which commit such things are worthy of death, not only do the same, but have pleasure in them that do them. Romans 1:24-32
"What utter blasphemy!"
--James Stolee
The fact that this church has a female pastor is already a sign of apostasy, which is accelerating, as reported by Russia Today, December 2, 2019 (links in original):
(Paradise)As reported by Sputnik News, December 12, 2019 (links in original):
A church in Malmo has a new altarpiece meant to celebrate inclusivity by replacing Adam and Eve in paradise with gay couples in suggestive poses, while depicting the serpent tempting them as a transgender woman.
The controversial work of art is not new. Photographer and artist Elisabeth Ohlson Wallin painted it in 2012 and tried to donate it to the Skara Cathedral just before the church was preparing to conduct the first same-sex wedding in its 1,000-year history.
The openly lesbian artist, who has a history of blending religious imagery with pro-minority activism, said at the time that she wanted to test if the Church of Sweden was as gay-friendly as it claimed to be when it embraced same-sex marriage in 2009. The Skara Cathedral politely declined the gift, saying it was about political activism and not faith.
But over seven years have passed, and now Wallin has got her way, even if it isn’t in her home city. St. Paul’s Church in Malmo accepted the painting called “Paradise” as its new altarpiece and unveiled it on Sunday, the first day of Advent. Helena Myrstener, the pastor, said that “history was written” in the hanging of the “LGBT altarpiece” as she tweeted a photo of the painting.
Wallin’s reimagining of paradise was inspired by one of the works by Renaissance master Lucas Cranach the Elder. The artist/activist said she wanted to show that, since the beginning of time, the place for gay people was in paradise rather than hell. The modern interpretation interestingly seems more prudish in terms of nudity than the 16th century originals as both “lesbian Eves” have their breasts covered by leaves rather than concealing only their genitals, as is traditional.
But it’s probably not because the artist has problems with nudity. After all, her most famous photo exhibition – the 2012 Bible-inspired “Ecce Homo” – featured an image portraying the baptism of Jesus with the model standing for Christ having his penis fully exposed.
Ecce Homo
The Church of Sweden, the state Church of the Scandinavian country until 2000 and still by far its largest denomination, prides itself on embracing a laundry list of woke agendas. Despite this, Swedes have been leaving the Church in record numbers lately, according to surveys.
Judging by some comments on social media, the new altarpiece won’t help much with stopping the exodus. “The politization has gone too far,” one member commented on the news as she announced leaving the Church. Another one said that while there were plenty of enlightened priests in the Church of Sweden, radicals from a “PC-pack” have turned it into their own arena.
Barely a fortnight ago, the controversial LGBT painting called "Paradise" was hailed for “making history” and revered as a milestone in the church's acceptance of sexual minorities. Now it's removed for sending the wrong signal about transsexuals, as it depicted the Serpent as a transsexual woman.The perceptive reader will notice that in addition to supporting the alphabet pervert agenda, this apostate denomination takes liberal positions on other issues, such as women in leadership, mass immigration, and climate change.
After only ten days, St. Paul's church in Malmö has decided to remove its new altarpiece depicting same-sex couples in suggestive poses.
The inauguration of the homoerotic painting “Paradise” by controversial artist Elisabeth Ohlson Wallin as the church's new altar on the first day of Advent was widely celebrated by church officials and the media.
However, the Swedish Church has announced that the altar will be removed, because it “leaves too many unanswered questions".
The church suggested in a press release that it is “totally uncontroversial” to have two gay couples in the artwork, and confirmed its commitment to the LGBT cause, being one of the first in the world to start blessing same-sex couples.
“But there is the Serpent, which traditionally stands for evil, and it also turns out to be a trans person, which may be interpreted in a way that a trans person is evil or even the devil. The Church of Sweden absolutely cannot support this,” the church said in a press release.
According to the church, the depiction of the forbidden fruit is also problematic, as it raises questions on what kind of knowledge it represents.
“At first I did not realise the complexity, but upon closer reflection and careful discussion with the management, there is no alternative but to move the painting from the church premises,” pastor Per Svensson said, adding that the Church has “listened to criticism”.
Elisabeth Ohlson Wallin's “Paradise” depicts the Biblical Garden of Eden and is a variation of Lucas Cranach's work, only with Adam and Eve replaced with black and white gay people in sexual poses.
Elisabeth Ohlson Wallin, herself a lesbian, is known as a staunch supporter of the LGBT cause. In 1998, her exhibition Ecce Homo, held in Uppsala Cathedral, sparked a major controversy for depicting Jesus as the champion of homosexuals and transvestites, even riding a bicycle in a gay pride parade.
The Church of Sweden maintains a rather liberal position on a plethora of issues, such as homosexuality, mass immigration, and climate change. At over 5 million members, it remains Sweden's largest religious organisation and Europe's largest Lutheran denomination, despite a rapid decline in worshippers (at a pace of about 2 percent annually). The Church of Sweden went from 95 percent of the Swedish population to barely 57 percent within a matter of several decades.
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